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Week 2: Rosemary & Jill

9/21/2017

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Rosemary
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It has been a fantastic few weeks so far! Jill and I have been brainstorming ideas around creating a narratively driven speculative world, filled with creatures, inspired by Jill’s research and fieldwork memories. Below is a breakdown of some of our thoughts, inspiration and possible directions so far.

Echolocation

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Part of Jill’s research is using radar to study Bezymianny Volcano in Russia. We have been discussing how echolocation could evolve further in animals. Several questions arise from the speculative evolution of echolocation:
  • Considering that echolocation seems to be present in mammals alone – how would echolocation work in fish-based creatures?
  • The function of echolocation in animals seems to be reliant on internal ‘cavities’ – how can these adaptations be made external to create a more visually interesting creature design while still remaining believable?

Creature Design: Speculative Biology

We’re playing with the idea of setting the narrative around planetary exploration and therefore a speculative world and its flora and fauna will need to be visualised through concept art. I have been researching other Creature Designers that have created believable worlds. Terryl Whitlatch, Bobby Rebholz and Brynn Metheney have created great Speculative Biology projects.
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"The Wildlife of Star Wars" by Terryl Whitlatch
Picture"The Wildlife of Star Wars" by Terryl Whitlatch
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The Wildlife of Star Wars “A Field Guide” by Terryl Whitlatch
 


A big inspiration for how the narrative may be visualised is The Wildlife of Star Wars: A Field Guide by Terryl Whitlatch and Bob Carrau. We enjoy the sketchy style and the informative annotations as if the book is a set of ‘field notes’ exploring the various planets.

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Ecor-117 by Bobby Rebholz


​Ecor-117 by Bobby Rebholz

Bobby Rebholz creates many creature designs speculating the flora and fauna present on his fictional planet Ecor-117.
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"The Morae River" by Brynn Metheney
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"The Morae River" by Brynn Metheney

​The Morae River by Brynn Metheney

Brynn Metheney created various flora and fauna to exist in her fictional ecosystem, The Morae River.
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Creature Design: Mythology

The examples of Speculative Biology above are focused more on the creation of imaginary animals that still have real-world plausibility and are adapted to their environment. Another approach to our narrative would be to personify geological phenomena into mythological creatures. For example, a volcano could be an unfathomable mythological creature, much like a god. The work of Studio Ghibli often features god-like creatures such as the forest spirit from Princess Mononoke (1997).
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Forest Spirit - Princess Mononoke (1997)

Dark Fantasy/Horror

The genre of our narrative will have a dark fantasy/horror flavour because we are both fans of H. P. Lovecraft. Below I have outlined some more inspiration from the darker side of Creature Design.
PictureGuillermo del Toro’s journal pages





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​Guillermo del Toro’s Journals

Guillermo del Toro’s journals are great inspiration for a darker fantasy/horror interpretation of ‘field notes’.

PictureThe nightmarish sketches of Anthony Jones






Anthony Jones






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PictureThe alien hybrids of Carlos Huante





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​Carlos Huante




Remains: Anatomy of a Planetary Expedition

For the output of this residency we have discussed the possibility of an interactive exhibition. Looking at the inspiration below we are thinking of ways to visualise and document the discoveries of the fictional expedition in a pseudo-scientific way.
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PicturePetrified animals of Lake Natron, Tanzania

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PictureThe Pitt Rivers Museum, Oxford UK



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PictureCabinet of Curiosities

PictureHoward Carter's maps, plans and drawings of the tomb of Tutankhamun
Griffith Institute

Drawing Experimentation

To bring in some experimentation and drawing as inquiry into the collaboration, I will be ‘free drawing’ to the sounds of the galaxy to get into the zone. I will share the experiments next week!

​Learning Goals

Working with Jill so far has been amazing. We share many of the same aesthetic interests which has made the initial brainstorming phase very fruitful! I hope to learn from Jill’s scientific approach to projects. Also, she will be giving me a crash-course in Volcanology. This will be fascinating and inspiring for developing creatures that are adapted to living in the different environments created by Volcanoes.

Jill

Brainstorming Our Project

To get the ball rolling on our project we spent the last couple of weeks brainstorming over Skype. Rose is in the UK and I’m in Alaska so I’m usually waking up with a couple cups of coffee and she is home after a day at work. We have had great fun discussing a lot of potential ideas and seeing where our curiosities overlapped. We were paired for our interest in storytelling, the environment, and the creatures that inhabit them.

Biodiversity in Volcanic Terrains


Volcanoes are powerful destructive forces but also bring fertile ground and new life after eruptions. We discussed different volcanic systems, biological diversity, and historical events. Places such as Mount St Helens, Washington and Kasatochi Island, Alaska have well documented studies on the ecological succession and the reintroduction of species after volcanic eruptions. https://alaska.usgs.gov/science/kasatochi/ 
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Mount St. Helens Volcano, WA. Photo by Jill Shipman, 2017
Volcanic hot springs and hydrothermal vents could have supported early microbial life on Earth and possibly on other planets.
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Extremophiles are organisms that have adapted to extreme temperatures or geochemical environments and can be found in volcanic landscapes in the deep ocean and in thermal springs such as the Grand Prismatic Spring at Yellowstone.
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Hydrothermal Vent. Photo from NASA Astrobiology Institute. https://nai.nasa.gov/articles/2016/3/9/lifes-building-blocks-form-in-replicated-deep-sea-vents/
Jupiter’s icy moon Europa is one of the most likely candidates for life beyond Earth in the solar system. Research suggests oceans could lie beneath its frozen surface and may have the ingredients necessary to support life.
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Grand Prismatic Spring, Yellowstone. Photo by Jim Peaco, National Park Service

Geophysics and Echolocation

Using satellite based radar, we can image the ground surface using electromagnetic waves. In the animal kingdom, bats, whales, and dolphins use sound waves (echolocation) to navigate and find prey. Here is an amusing tongue-in-cheek video that explains how radar is like echolocation. Just think we have all these huge “bats” orbiting and imaging earth! Haha!
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Artist’s Concept of Europa Water Vapor Plume. Europa:Galleries, Courtesy of NASA https://solarsystem.nasa.gov/planets/europa.

Documentation and History

We liked the idea of using field notes to chronicle a hypothetical expedition. I’ve been going back through old field books and freewriting to recall experiences. For a historical slant, we can pull from ancient eruptions, environmental mythological events, historical maps, and Lovecraft works. 

The ancient city of Pompeii, Italy was destroyed in AD 79 by the eruption of near-by Mount Vesuvius. This location is well known for its preserved body casts of the victims who perished in the eruption.
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Body cast with preserved skull remains of Pompeii. Photo by Jill Shipman, 2013.

Geomythology

An intriguing area of research, geomythology, looks at the science of recovering ancient folk traditions about natural processes or events to find the geological and environmental origins to mythology. ​
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The First Fossil Hunters by Adrienne Mayor

Mythological Creatures in Maps

 Historical cartography features some fantastic creatures in areas of dangerous or uncharted territory.
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Inset from the Carta Marina (Map of the Sea) 1572. From the World Digital Library. https://www.wdl.org/en/item/3037/

Geology in Lovecraft

“At the Mountains of Madness” is an epic haunting tale by H.P. Lovecraft. A geologist leads an expedition to Antarctica, they discover an ancient alien civilization, destruction and insanity ensues. Have a listen to this riveting BBC 7 Radio production, rich with geologic details and cosmic horrors. https://archive.org/details/AtTheMountainsOfMadnessBBCTGGMix

Film Inspiration

We have been thinking about what a soundtrack for this collaborative project might be. Starting with the eerie sounds of the solar system. https://solarsystem.nasa.gov/galleries/audio

Aesthetically and creatively we both have a great fondness for alternate worlds with a dark setting. Think Jim Henson’s “The Dark Crystal” or Guillermo del Toro’s “Pan’s Labyrinth”.
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Brain Froud’s Skeksis from Jim Henson’s The Dark Crystal
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Page from Guillermo del Toro’s notebooks and a still from the film Pan’s Labyrinth.


​Possible outcomes for the collaboration

With combined interest in dark fantasy and science fiction we want to use this as a hook for science learning. The science in science fiction if you will. Using creative license to speculate on biological adaptations to extreme environments. Drawing on scriptwriting to create the story and characters that could be the focus of a short-film, graphic novel, or interactive art exhibit. Now the work begins to prune and distill all these great ideas down into our project focus.

What really excites me about working with Rose is her fantastic artwork and creativity in creature design. I am excited to learn together using scientific principles to create speculative creatures. To use physics, chemistry, and biology to think….what if?
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    Rosemary Chalmers

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    Jill Shipman

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